The 1969 essay by Scott Momaday “The Way to
Rainy Mountain,†recalls the Kiowa tribe’s life. In The Way to Rainy Mountain,
N. Scott Momaday attempts to reunite himself with the American Indian (Kiowa)
heritage which he belongs to, by embarking on an expedition to Rainy Mountain
in Oklahoma, a place where he would then pay a visit to his late grandmother’s
grave. Scott Momaday loses his
capability to attach with his readers since he fails to express his feelings in
detail, particularly for a nostalgic writing (Schweninger 21).
For instance, Momaday starts on his essay with
a comprehensive as well as expressive survey of Rainy Mountain, a depiction
that draws the attention of the readers. “Great green and yellow grasshoppers
are everywhere in the tall grass, popping up like corn to sting the flesh
(Momaday 814). Whereas this sentence is a perfect example of his talented
capacity to be engaging, when Momaday tries to paint the reader a picture of
his grandmother as a small child, he goes off the way by giving the reader a
history lesson when he specifies. As the reader, I was avidly anticipating some
portrayal of his grandma as a youngster, not the Kiowa's aura on war or their
surrender to the fighters at Fort Sill. I was left with various inquiries:
"Would she say she was an inquisitive tyke? Is it accurate to say that she
was tall or short? Slight? Did she have numerous endowments?
Momaday, right from the onset of his article,
he admitted that “I want to see in the reality what she had seen more perfectly
in the mind’s eye, and traveled fifteen hundred miles to begin my pilgrimageâ€
(815). This pilgrimage is a spiritual quest for an ethical significance. Others
people believed that it to be a voyage to an important shrine taking into
account one's confidence or convictions. According to Schweninger (43), Momaday
gives extremely distinct sections of the scene he experienced to his
extraordinary spot, that of the Kiowa society, for example, “The skyline in all
directions is close at hand, the high wall of the woods and deep cleavages of
shade…" (815); on the other hand, the reader may be left asking, "How
is this influencing him by and by?". Momaday has possessed the capacity to
draw in the readers' creative ability here; however, he has not associated with
them on an individual level to draw them further into his story. As the reader,
I felt that Momaday was originating from a greater amount of a target see
rather than an individual one, while the portrayal in spots of The Way to Rainy
Mountain are particular and completely added to, the reader neglects to join
with Momaday's enthusiastic perspective.
This essay recounts stories told by his late
grandmother Aho, who fitted in the last culture to establish in North America.
She had memories of hardship and wars that his predecessors persisted before.
She likewise kept these stories alive for the duration of her existence with
legends, myths and story that she regularly told the crew. Momaday's motivation
of the story is to tell others that even through hardship, great results can
rise. He gives numerous magnificent illustrations of lessons to be learned. His
proposition in section five declares: "however my grandma experienced her
long life in the shadow of the Rainy Mountain, the tremendous scene of the
mainland inside lay like memory in her blood" (310). He likewise
communicates, despite the fact that she might not have seen any of the fights,
myths or relocation in individual, it changed her into the individual she is
currently through the force of memory of narrating, which was passed down to
her from her predecessors.
It was intriguing that Momaday chose to take
the fifteen hundred miles outing to Rainy Mountain that his kin experienced
such a variety of years back. The best approach to Rainy Mountain was a long
and hard one for the Kiowa individuals. Through the Black Hills towards the
Washita River he ceased at verifiable area markers, for example, Devil's Tower
and considered all the phenomenal
occasions that occurred, which his grandma discussed such a large number of
times. In spite of the hardship, they got to be stronger along the way, adapting
new aptitudes, and adjusting another religion. So in a manner these hardships
helped them survive the new forthcoming American changes. Momaday's approach to
Rainy Mountain likewise taught him how to admire his predecessors significantly
more in light of the fact that they were going by steed back or foot. He
understands the area must have been exceptionally hard to endure. They needed
to figure out how to make due amid snow squalls and burning summers,
additionally how to chase and to develop what the area could develop in diverse
atmospheres.
Absolutely, Momaday likewise admired the
magnificence of the land that demonstrates how majestic as well as sensitive it
truly can be on occasion, to see the nightfall and dawn or to take in the
perspective the same way Kiowa did as such numerous years prior. It must have
been magnificent to recover these memories at the genuine locales. The
excursion issued him a more noteworthy comprehension of the long journey
attempted by the Kiowa and a mental picture of the spots portrayed by his
grandma. The grandma's excursion was a voyage of the brain. She learned of the
colossal journey through the stories and memories of others. They tackled a
structure that was very credible to her. However she had never experienced them
in individual.
It was fascinating that Momaday caught the
resilience of that his grandmother and his tribe had, albeit such a variety of
brutal things happened to the tribe before. An eminent illustration of an
extraordinary occurrence that eventual hard to give up happened when the Fort
Sill warriors halted them from performing the conventional holy occasion of the
sun-move. Momaday notes, "Prohibited without reason the vital
demonstration of their confidence, having seen the wild crowds butcher and left
to decay upon the ground, the Kiowas stepped back everlastingly from the
tree" (311). He additionally expresses "his grandma was there,
without intensity, and the length of she lived, she bore a dream of
deicide" (311).
It appears like the majority of the voyages in
the story end at Rainy Mountain. For Momaday, his trip completes at his
grandma's home and grave. He thinks back once to see the Rainy Mountain, and
that is the end of his voyage. For his grandma her voyage closes where it
started at the Rainy Mountain. She was conceived there, had the capacity
witness the last Sun Dance of the Kiowa there, and passed on there. For the
greater part of us, we know our Rainy Mountain from the earliest starting point
to the end of the trip, yet it is vital to know the way we arrived and withdrew
with our Rainy Mountain.
The Way to Rainy Mountain has a unique example
in its structure. In every area, it has three sections, each of whose
separateness is unmistakably stamped by its own particular place in every page and
its own particular typeface: the legend, the history, and the individual
memory. The example, be that as it may, never makes it basic for the perusers
to comprehend the novel. Rather, it confounds and disturbs the perusers by
putting them where the twofold edges of reality meet. From one viewpoint, there
is a reality as the consequence of the overwhelming philosophy, which has
turned into from the earlier as a rule, and which has shrouded that there is an
alternate reality (or potentially, various substances). Then again, there
exists an alternate reality, which is available (subsequently, genuine) however
truant (or covered), and which makes the prevailing "reality"
conceivable at the same time, in the meantime, consistently undermines it. In
The Way to Rainy Mountain, the designed structure achieves the two separate
substances: in the first place, there is a rambling, or ideological reality,
which differentiates legend from history and individual memory.
In conclusion, In Momaday’s The Way to Rainy
Mountain, the reader is taken down a superbly descriptive expedition that
included his pilgrimage to the grave of his grandmother. From the clear-cut images of the landscape
provided by Momaday to his ability to precisely recall significant pieces of
the history of Kiowa history. Momaday offered adequate detail in the
description of the landscape all along his pilgrimage. As a result of the
emotional disconnection, his capability to effortlessly keep the reader
engrossed, conversely, is debatable.
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