Religious
Traditions of South Asia
Religion
tradition in South Asia is an aspect that has greatly influenced the nature of
the culture, tradition and general identity of the people living in this region
of the world. This is a region of the world that is filled with diversity in
culture, traditions and most of all religious beliefs. The religions of South
Asia, a sub-continent of Asia, have been and continue to be crucial and
integral aspects of the cultural and social identity of the people of South
Asia. Some of them include Jaina, Hindu, Buddhist, Sikh and various other
beliefs. Some of these traditions such as the Hindu religious traditions are
very old and have developed over the years into rich and diverse values,
ideologies, and relativity of beliefs and teachings which are popular across
the globe. Most of these religions have impacted the cultural aspects of the
society, and they have become ways of living. This essay will analyze the
various aspects of religious traditions found in South Asia based on texts from
stories about Vessantara and Ramayana who are two historical figures from both
Brahmanical and Buddhist societies and will try and explain similarities as
well as differences between the two stories and how they relate to the
religious traditions of people of South Asia[1].
Hinduism
is one of the most popular religious traditions and the most tradition in the
region followed by Jaina and Buddhism. These are all religious traditions that
have existed for millennia. Dharma is an important term that is often used with
references to the beliefs of these three religions. It is a term that is
fundamental, the concept of Dharma is associated with reality and the way the
actions of individuals relate to it regarding their appropriateness, making
their belief system dharma based.
The
stories of Rama and Vessantara are both very influential in the religious
traditions and backgrounds of the people of South Asia. The story of Vessantara
is about a young prince, who is born of royalty and the Buddha of his time.
According to the text from Gombrich (2011), the story of Vessantara is about a
prince with a very big heart. He had dedicated his entire life to giving out to
others and therefore, he had unlimited generosity. He was very virtuous when it
came to his life. This is a story that is narrated in the future by Gotama who
is Vessantara in his previous form as a human prince. In future, it is clear
that he transcends and becomes a Buddha and dwells in the afterlife with other
supreme beings. Gotama in his previous life is a prince who is very generous.
When Vessantara grows up, and his father retires as King, he hands over the
kingdom to Vessantara. However, it was a time when a neighboring country was
devastated by a drought, and he gives them a female, white elephant that was
responsible for giving them rain. They demanded the old king to take the
kingdom back from his son and that Vessantara and his family be banished to the
forest. Vessantara accepted his predicament and willingly allowed himself and
his family to be banished from his kingdom. As an exiled and renouncer of his
kingdom in the forest, Vessantara further faces obstacles and tests that he
overcomes through his sacrificial acts regarding his wife, and kids by giving
them away. This is a story of generosity, and his actions for his own kingdom
make Vessantara a historical figure within Buddhist traditions. The story ends
with Vessantara regaining back all that he gave away, his family and kingdom
rightfully returned to him with everyone accepting his virtuousness, and
blessed with prosperity[2].
On
the other hand, the other text is about another virtuous young man considered
by many as a righteous and young Prince. He is banished because of claims by
the people led by Kaikeyi, and his father Dasaratha has to honor their request
and banish his son to the forest. Ramayana and His wife Sita have to put on backcloth
garments and head to the forest and his brother, Laksmana follows him because
he knows that Rama is truly righteous. He is the heir to the throne of his
Kingdom. However, his father had made a vow long ago that required the
banishment of Ramayana. It does not bother him, and he goes with his wife and
brother Lakshmana to the forest.
The
two stories bear similarities to each other, all of which are the basis for the
beliefs and traditions of their own respective religious backgrounds
and traditions of South Asia. The two characters; Vessantara and Ramayana are
both princes and heirs to their respective kingdoms. Both of them get banished
for a different reason. Vessantara was banished for a generous deed he is was
involved in while Ramayana was banished by his father King Dasaratha because of
a vow the king had made in the past. Both these reasons are not legitimate
enough for banishment. They are both banished to the forest where they leave
with members of their family. Vessantara leaves with his wife and children
while Ramayana leaves with his wife Sita and his brother Lakshmana. Both
stories deal with a lot of fundamental issues associated with transcendence
after death, deity, peace, and forms of conflict that on one side require
peaceful approaches and on the other hand require violent approaches. In both
stories, the two characters exhibit aspects of being human, and this is a form
of weakness for them. They both also have aspects of being superhuman. They
both reincarnate into deities with Vessantara becoming a Buddha in the future
after death and Rama reincarnating into a god[3].
Despite
some of these similarities, both characters have a lot of differences that
clearly differentiate the story between the two and also outline the cultural
and religious differences of the two aspects. These differences in religion are
mostly based on Brahmanical aspects as well as Buddhist aspects from which the
two heroes originate. Rama is both God and human in the present form while
Vessantara is human in the present form and a Buddha in the future from one of
the other significant differences between the two characters is associated with
the way they exhibit the different modes of dharma. There are two modes, and
mode one is associated with ethics of reciprocity while Mode 2 is associated
with ethics of absolute values. For Rama, he is both human and God, but he is
unaware of his divinity, and Vessantara lives as a human in the present and as
Buddha in the future. Based on the story
of Vessantara, he lives a life dedicated for transcendence into Buddhism and
can only exhibit the dharma mode two which is associated with doing good at all
times regardless of whether others are good or are bad. His father Sanjaya
operates based on mode 1 and this allows Vessantara to operate solely based on
the second mode, and his life’s later on transcends, and he becomes Buddha in
future. As for Ramayana, he exhibits two forms at once and has to operate in
both modes. It is therefore important to understand the importance of these two
stories in the shaping of the religious traditions and cultural development of
South Asia[4].
These
are two stories that are based on the religious narratives of two historical
figures. The stories are significant in outlining the various aspects and
characteristics of religious traditions and beliefs of the people of South
Asia. They are two stories from two different religions but clearly exhibit
similar aspects that describe the unified aspect of the religious traditions
that are practiced in South Asia. The aspect of Dharma associated with
perceptions of reality and the action of people in relation to reality is
important in both stories. This is an aspect that outlines the importance of
the action of people in the present world[5].
Bibliography
Clothey, Fred W. Religion in India: a historical
introduction. Abingdon: Routledge, 2010.
Collins, Steven. What is Literature in Pali? Literary
Cultures in History: Reconstructions from South Asia. Berkeley: University
of California Press, 2003.
Gombrich, Richard. Perfect Generosity of Prince
Vessantara: A Buddhist Epic. 2011.
[1] Clothey, Fred W. Religion in India: a historical introduction. Abingdon: Routledge, 2010
[2] Gombrich, Richard. Perfect Generosity of Prince Vessantara: A Buddhist Epic. 2011.
[3] Gombrich, Richard. Perfect Generosity of Prince Vessantara: A Buddhist Epic. 2011.
[4] Collins, Steven. What is Literature in Pali? Literary Cultures in History: Reconstructions from South Asia. Berkeley: University of California Press, 2003.
[5] Collins, Steven. What is Literature in Pali? Literary Cultures in History: Reconstructions from South Asia. Berkeley: University of California Press, 2003.
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